Archive for Diane Chamberlain

Contemplating

Posted in All posts, On writing with tags , , , , on November 13, 2008 by Trina

Look for my short story “Nothing but Trouble” in Word Catalyst’s December issue.

I received this rather disturbing feedback from an agent about THE MAGIC QUILT:
The book appears to be a combination of historical fiction and fantasy … a hard sell to the minds of those who need to put things into the tidy marketing boxes that have become oh-so comfortably worn with use.

I anticipated this novel would a difficult sell, but not because it is a historical fiction and fantasy. I thought a book about the coming of age of a wizard would smack too much of Harry Potter, which brings me to the topic of this post. My next book will not be a fantasy for young adults.

I have an idea for a detective thriller for adults, which I will keep to myself for now. I am in the stage of contemplating, playing different scenarios in my head until I find just the right one that gels. After all, I’ve got to be willing to stay with this book for at least a year or so. I’d better be excited about it.

I am going to use a process like Diane Chamberlain’s to write this next book. See her excellent blog posts on Creating a Story.

I’ll be writing the synopsis over the next couple of weeks, so I thought I’d share the process as I complete each step. I hope this will be interesting to newbie writers and readers who want a peek into how a novel comes together. My synopsis will include writing a general beginning and ending–yes the ending comes first before writing the novel–choosing the point of view characters, writing character sketches for each, and then creating a storyline thread for each character. I wish I would have done this with my first novel!

I made several mistakes with THE MAGIC QUILT that I would like to help other writers avoid. First thing, I did not write a synopsis. I didn’t know who the characters were or any idea of what would happen. I just started writing. Big mistake, BIG! My story rambled. Katharine went here, there, yonder, and back again: to the past, then the present, then a different place in the past, to a different time in the past, then to the future. It makes my head hurt just thinking about it and it was too confusing for young adults. Also, I failed to do enough historical research, so I had to rewrite the book several times to correct the history and trickle down effect. Never again!

Agent search update
After receiving five rejections from agents for my young adult novel, with no request to read the manuscript, I posted my query letter on WritersNet. Clink the link to read the thread.

Here’s the query:
It is tough enough to make it through the sixth grade when you aren’t trying to save the world. Katharine is a shape-shifter who has traveled back to a time where electricity, cell phones and bottled water have yet to be imagined; her new friends are dead or in peril. Standing on the Lexington Green in the midst of the battle, Katharine is oblivious to her own danger. With the metallic smell of blood and gunpowder heavy in the air, she must make a choice: She can save her friends and turn the battle toward freedom or destroy the evil shifter, Dr. Ziegawart, in whatever form he might choose–an alligator, a dragon, or a tiny cockroach. As a musket ball whizzes by her head, she decides.

Patrick M. Leehey, the research director of the Paul Revere Memorial Association checked the manuscript for historical accuracy. He said, “I found your story to be quite enjoyable.” That might be because I’ve included some surprising historical facts. To name a few, Paul Revere never finished his midnight ride–he was captured by British officers before arriving in Concord. Nor did he own a horse, although he was a messenger and a spy for the revolutionaries.

I thought the query was pretty good and was taken aback by the feedback I received. After all, I’ve been working on my query off and on for a year. This is what the agents on WritersNet said:

You have to cut your first paragraph and make it into a really good hook–what’s the meat of your story? Make it catchy. It’s what sells your novel.

Think through each sentence very carefully. Does it have meaning to someone who knows absolutely nothing about your book? For example, what the heck is a “shape-shifter”? Bringing up a fantasy concept only you understand is immediately going to alienate the reader of your query.

Your writing might be excellent, but this query doesn’t do justice to the manuscript because it’s hard to tell what the premise is. It has to be plain to a complete stranger. We are even stupider than you think.

I don’t believe any agent is stupid, btw. I think the rigors or the job require intelligence.

Here’s my new query. I hope it will hook an agent. I’m crossing my fingers.
It is tough enough to make it through the sixth grade when you aren’t trying to save the world. Katharine is a wizard in training, learning how to shape-shift into animals, travel forward and back in time, and defend herself against the evil wizard, Dr. Ziegawart, in whatever form he might choose–an alligator, a dragon, or a tiny cockroach. Leaving her unhappy home behind, Katharine travels back in time to 1775 Boston, where she finds herself caught up in the magical world of spying, espionage, and rebellion.

My 55,000 word historical fiction and fantasy novel, The Magic Quilt, follows Katharine across the dark waters of the Charles River with Paul Revere, and onto Menotomy Road to alert the countryside. She never knows what danger is around the next bend, whether a musket ball from a British foot soldier’s rifle or the evil wizard in disguise.

On the back burner
I found some children’s magazines that I am interested in writing for, like ODYSSEY, CRICKET, NEW MOON GIRLS and AMERICAN GIRL. These are magazines that I’ve read in the past and been impressed with the quality of writing. I’ve ordered a sample copy of each one so that I can get a feel for what each currently likes. Once I get the samples, I’ll write a short story specifically for each magazine. I’m looking forward to it. The stories will give me breaks from the novel.

I’ve got my work cut out for me. Fortunately, I’m now working part time–which means I have every Friday off to write. I’m going to need it.

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Keeping Characters Fresh

Posted in All posts, On writing with tags , , , on June 9, 2007 by Trina

I’m optimistic that I will finally be able to finish my young adult novel in progress, THE MAGIC QUILT. Working 5 mornings a week on the book has helped the characters to stay alive in my mind. What I struggled with before was that when I did have an hour or two or five to work on The Magic Quilt, usually on Saturday or Sunday morning, it took me at least an hour to get back into the world of 1775. I would read my historical notes and skim chapters before I was there in my mind; I need to feel what Katharine feels and experience life with her.

So, I’ve set aside Monday, Wednesday and Friday mornings to write from 6 to 8 am before work. Two mornings were short writing sessions this week due to pressures from my day job — final deadline for delivery of test items to one of our clients. Even with only an hour, it was enough to keep me in the story and keep Katharine alive.

My goal now is to finish rewriting the historical portions of the novel first, because they are the most difficult to get the emotional interplay right between and among the characters. I did finish a rough draft of a rewrite of the final chapter, and I’m going to start by finishing the ending. I have the history correct, but I don’t yet have Katharine’s voice consistent. Her character grows throughout the novel, so I want to make sure the chapters reflect that growth and match her voice. So I am making what I hope is the final rewrite of the novel for consistency, tightening, and pace of action. I also am cutting where necessary, which is hard for me because I’ve fallen in love with several scenes that do NOT move the story along; they have to go. I have started a folder of unused scenes. I’ve called the folder “sequel.” When I delete scenes and sometimes whole chapters I move them to this folder on my computer. I may never use these scenes in a sequel, but at least I don’t feel like they are lost.

In the words Diane Chamberlain of one of my favorite authors, writers need to give the reader some credit to follow the story without telling them everything:

Even though my work-in-progress is my seventeenth, I’m still having to dial back my desire to over-explain all the relationships and past events early in the story. The chapter I’m revising right now. . . I actually think I can cut it out altogether and trust the reader to fill in the blanks. Otherwise, the pace will slow down and that’s the last thing I want. I need to remember that my reader will enjoy a feeling of discovery as she makes her way through the book. I don’t need to weigh her down with information she can figure out on her own. Read Diane Chamberlain’s blog.

If this blog is silent over the next couple of weeks, it is because I am making a tremendous effort to finish The Magic Quilt. Wish me luck.