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Farewell January 3, 2009

Posted by Trina in All posts, Authors, Creative writing, Fiction, Last post, Life, My work.
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It is finally time to say goodbye to WORLDS THAT NEVER WERE. As my blog posts become more infrequent, I realize that it is time for me to take a hiatus from blogging. When I started this blog back in September of 2006, over two years ago, I intended to post about science and education, a platform for my educational writing. It grew to something completely different as my fiction writing became my passion. My posts turned toward the process of writing fiction.

This blog took me from a novice fiction writer, and I’ll say it, an untalented–or perhaps just inexperienced–story writer, to a novelist who has finished her first young adult fiction manuscript. I think parts of that novel are exceptional, while other sections still cry out “novice”. Still, THE MAGIC QUILT was how I cut my teeth on fiction. I believe my next novel will be better, and the next even better as I grow as a fiction writer.

As I move on to writing my second novel, I will continue to write short stories as my muse hits me. I love writing. I can’t imagine life without it. So even in the face of numerous and sometimes daily rejections, I will continue my journey toward becoming the best fiction writer that I can be. I will love every minute.

May you find your passion, as I have through my writing.

Goodbye for now.

R.I.P. Michael Crichton November 5, 2008

Posted by Trina in All posts, Authors, Fiction, Novels.
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The bestsellling author died unexpectedly in Los Angeles Tuesday, after a courageous and private battle against cancer. He was 66. This news saddens me even more than it might have, following the excitement of the presidential election.

Called “the father of the techno-thriller,” Michael Crichton helped to build my thirst for thrillers. From THE ANDROMEDA STRAIN, to JURASSIC PARK to NEXT, I have been under his spell. I showed THE ANDROMEDA STRAIN movie every year to my science classes. I watched every early episode of ER, drinking in the medical drama. ER was the first of its type and spawned many other such drama’s.

CBS News reports:
“While the world knew him as a great story teller that challenged our preconceived notions about the world around us — and entertained us all while doing so — his wife Sherri, daughter Taylor, family and friends knew Michael Crichton as a devoted husband, loving father and generous friend who inspired each of us to strive to see the wonders of our world through new eyes,” the statement said. “He did this with a wry sense of humor that those who were privileged to know him personally will never forget.”

Through his books, Crichton served as an inspiration to students of all ages, challenged scientists in many fields, and illuminated the mysteries of the world in a way all could understand.

“He will be profoundly missed by those whose lives he touched, but he leaves behind the greatest gifts of a thirst for knowledge, the desire to understand, and the wisdom to use our minds to better our world.”

Learning HTML September 22, 2008

Posted by Trina in All posts, Authors, Creative writing, Life, My work, On writing, Writing for young people, technology.
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I think any serious writer should have a Web site. I am always amazed when I meet fellow writers who do not one. Victoria Strauss says:

A website, if it’s properly publicized, is 24-hour-a-day, nonstop billboard advertising for your writing. It launches you into a virtually unlimited public space, where huge numbers of people potentially have a chance to see you and your work. It can introduce your books to people who have never heard of you, place you in contact with readers who want to know more about you, and serve as a professional tool to which you can refer people who want to learn about your writing.

It is also helpful to me to have a Web site because I can refer to my own work. My stories are Online there and I can send the links to anyone very quickly. In addition, I think my writing has improved as I work on my Web site. The act of writing the pages helps me develop my writing skill.

I prefer to build my own site. I like the control and instant gratification of seeing my pages Online at the click of my mouse. I would never be happy waiting for a host to load the content. Plus, web design services can be costly.

Even people like me, folks with little knowledge of HTML, can build a site. There are hundreds of resources on the Web and in bookstores and many free hosting sites, like GeoCities, the one I use. If you can use a computer, you can make a Web site. I did update from the free site to a paying one because I didn’t like the ads that GeoCities puts on their free sites and I did not want geocities in my domain name.

Maintaining the site is what takes time, but a stale old site can be worse than no site at all. Thus, I am in the process of updating my site. I decided than since I will be contacting agents to represent me for my young adult novel, I want a site that reflects who I am now. I had posted several short stories, essays and articles, but nothing geared toward young adults. I decided it would be a good idea to include a page for young people on the site, with perhaps an excerpt or two from my young adult novel. I am developing that page.

I had previously been using the PageBuilder on GeoCities to build my pages. I have outgrown that program, which I think is helpful for beginners. When I first started building my site I thought HTML was a secret code that designers learned. I had no idea where to start in building a Web site. PageBuilder helped me create and edit my pages without software such as Dreamweaver or Frontpage. I found it to be much like using Microsoft Word.

PageBuilder may be a good tool for beginners, but it is tedious to use and I sometimes could not save the pages after I had developed them. I could usually make a few changes, save the page, and then the program would freeze and I’d have to reboot. It was frustrating and a time waster having to redo work. Others have had the same issue with GeoCities.

This weekend I stumbled upon this HTML tutorial at w3schools.com. It has changed my Web building life. The tutorial makes it so easy to learn HTML that I taught myself on Sunday morning in a couple of hours. I had always thought HTML was complicated, but it is quiet simple. It is actually quicker to put in the HTML tags on my pages than to use GeoCities page builder. I won’t suggest that my site looks like a professional developer built it, but I am happy with it. I think it will be a good platform to show case my work for now.

I wanted a simple site without many bells and whistles. I dislike flash on any Web site–I always skip introductions and hate any pages that take forever to load. So I wanted my site to be bare bones. I hope I succeeded.

The site is now about half finished and I’ll continue to work on it when I have time. The home page and several other pages done or in process. For now, I’ve linked to some of the old pages–I’ll get to them when I can. I plan on plugging away on the Web site and sending submissions to agents. Wish me luck.

I welcome any suggestions on how to improve my Web site.

JA Konrath September 16, 2008

Posted by Trina in All posts, Authors, Creative writing, Fiction, My work, Novels, On writing, Writing for young people.
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I am honored that JA (Joe) Konrath has linked WORLDS THAT NEVER WERE to his blog: A Newbie’s Guide to Publishing. There he posts interesting and useful information for fellow writers. Althought the title suggests it is for newbies, I think there is something there for both new and experienced writers. His latest post, Casting Your Net, is about how to take advantage of Internet relationships formed from social networking through blogs, websites and billboards. I learn something every time I read A Newbie’s Guide to Publishing and am happy to be included in the blogs Konrath reads.

As previously posted, I also love Konrath’s books. In terms of humor, JA Konrath is the king. I discovered his detective series with star Lt. Jack (Jacqueline) Daniels after reading one of his short stories in a thriller anthology edited by James Patterson. I bought WHISKY SOUR, read it, and then bought the next three books. I laughed my way through all four books, one right after another. I didn’t want to stop to sleep, eat or work. Konrath’s is the only series I read straight through like that. He doesn’t skimp on the details. One killer drove nails into the bones of his victims, one peeled off the victim’s skin, all while the victims were alive. One scene that sticks in my memory is when one of the killers put razor blades into candy bars. The resulting scene after a detective bit into the razor blade was both graphic and humorous. The humor lightens the story and works with the graphic scenes in this series. I’ve just read his latest, FUZZY NAVEL and can’t wait for the next one.

It is obvious that I learn from Konrath’s blog by the number of my posts where I’ve quoted him:
A Good Thrill
Stories Aren’t Buckshot
Write. Edit. Polish–Submit
Milestones

In other news, I have only 25 pages left to edit in my young adult novel–as yet unnamed. It was to be titled KATHARINE TAYLOR AND THE MAGIC QUILT, but I didn’t want it to sound so Harry Potterish, so I was going to call it HIGH TREASON. Harry doesn’t think that is a fun title for young adults, so I’m thinking about it. Whatever it is titled, I should finish this week! I intend to celebrate most heartily. Tip a glass of wine, beer–or whatever you are imbibing–for me.

A good thrill June 7, 2008

Posted by Trina in All posts, Authors, Creative writing, Fiction, Novels, On writing.
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After last posting that I like to read, I thought I’d dedicate this post to my favorite writers. During my teenage years, I read romances and watched soaps. Eventually, I grew bored. Real life is not the happily ever after of romances, and I wanted more from the books I read. I discovered horror: Stephen King, and werewolf and vampire stories. I began to enjoy the excitement of a good scare. I also began collecting the works of Lawrence Sanders, Grisham and Crichton. After watching SILENCE OF THE LAMBS I realized that I liked psychological thrillers. I read the Hannibal series by Thomas Harris. Harris did such a good job developing Hannibal’s character that I found myself being repulsed and empathizing with Hannibal at the same time and wanting more. And so began my relationship with fictional serial killers and their catchers.

I also stumbled upon the genre of medical thrillers, thanks to Michael Palmer. The combination of medicine, science and suspense makes an awesome read. Looking for more medical thrillers, I discovered Tess Gerritsen. Gerritsen is one of my favorite authors because of the rich characters she creates, normal and flawed people who are interesting because of it. She writes from the point of view of killer, detective and medical examiner equally well. I especially like medical examiner Maura Isles’ character because she must deal with death on a daily basis, and yet is likable as a woman with insecurities like the rest of us. What I most like about Gerritsen is that she fully develops the autopsy scenes to give the reader medical details not found in any other thrillers I’ve read except for the work of Kathy Reichs.

Reichs’s series is fascinating in its detail. How Tempe Brennan can discover the age or race of a skeleton and more from just bones. Tempe’s character is also fully developed. Reichs does not, however, write from the killer’s point of view. Her pov character is always Tempe. But it works for the series. Reichs also uses humor to lighten up the heavy topics Tempe deals with, which makes an entertaining read. I like BONES, the TV series loosely based on Reich’s books. I say loosely because Television Tempe is completely different from the alcoholic divorcée with a twenty something daughter from the books.

In terms of humor, JA Konrath is the king. I discovered his detective series with star Jack (Jacqueline) Daniels after reading one of his short stories in a thriller anthology edited by James Patterson. I bought WHISKY SOUR, read it, and then bought the next three books. I laughed my way through all four books, one right after another. I didn’t want to stop to sleep, eat or work. Konrath’s is the only series I read straight through like that. He doesn’t skimp on the details. One killer drove nails into the bones of his victims, one peeled off the victim’s skin, all while the victims were alive. One scene that sticks in my memory is when one of the killers put razor blades into candy bars. The resulting scene after a detective bit into the razor blade was both graphic and humorous. The humor lightens the story and works with the graphic scenes in this series. I’ve preordered the fifth Jack Daniel’s book and can’t wait to read it.

Lucas Davenport is my favorite detective. I love John Sanford’s PREY series. In the introduction to RULES OF PREY Sanford said, “Cops don’t act like Lucas Davenport–they’d be fired or even imprisoned if they did. They aren’t rich, they don’t drive Porches, most could give a rat’s ass about fashion. Lucas Davenport does all of that. … he’s a cross between a cop and a movie star. I wanted him to be a star. I wanted him to be different. I wanted him to be a mean, tough cop that women liked.” Sanford succeeded. Davenport is a star. He’s gruff, mean and yet he’s likeable and sexy. But more importantly, John Sanford’s writing is stellar. I’d rank him with literary writers. He is a former Pulitzer Prize winning journalist, and it shows in his writing. He also draws from his experiences as a newspaper reporter, the dead bodies and crime scenes he witnessed ground his novels in reality.

I like David Baldacci for the same reason, the way he can string words together. I am in awe when I read his novels. His recent works are political thrillers that are well researched, interesting and powerful. His latest, THE WHOLE TRUTH, explored one possible scenario for the return of the cold war.

I would be remiss not to mention James Patterson. I like detective doctor Alex Cross almost as much as Lucas Davenport. The African-American psychologist detective raising several children alone in DC makes for great reading. The Cross novels are page turners. Patterson’s works may lack the depth of Gerritsen and Sanford, but I can always count on him for a good thrill.

I have only mentioned some of my favorites writers. There are many others, like Diane Chamberlain, who does a fantastic job writing about the interrelationships between people. I am happy to have such a vast selection of great literature to choose from.

Here’s to summer reading and staying cool. Temps should reach the triple digits in Raleigh this afternoon. I can’t think of a better way to spend the afternoon than sitting in the air conditioning with a good book.

Lost in Translation April 20, 2008

Posted by Trina in All posts, Authors, Creative writing, My work, On writing.
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During a brief period when I was freelancing fulltime, I interviewed Harry Calhoun about his success as a poet and marketing writer. The interview titled ON WRITING AND POETRY: HARRY CALHOUN IN CONVERSATION ran in Thunder Sandwich in 2005. To increase my exposure as a freelancer, I also submitted the interview to ezinearticles.com. Since then, the interview has appeared on various sites about writing. I feel proud that my first, and probably last, attempt at an interview is so popular. Harry says he doesn’t mind that his words are all over the Internet. Instead he feels honored so many are taking his advice to heart. It has even been translated into Spanish.

One version on fuentebetsaida.com was obviously lost in translation. Harry and I both got such a laugh from this garbled mess that I decided to post part of it. My favorites are that Harry was a uranologist (a physicist who studies astronomy) since 1980 and I gave up an occupation as a flourishing region edifice pedagogue. Who knew?

“This is meet brilliant. The flooded discourse is incredible? I m REALLY appreciative of whatever earnestly beatific advice from a man writer.” Mark Howell, Senior Writer, Solares Hill.

Harry Calhoun s represent could materialize beside the lexicon definition for “journeyman.” Living grounds that not every writers hit to be famous or follow to digit identify of composition to be successful, Calhoun has institute regular article souvenir as a uranologist since 1980 and was a widely publicised worker article and literate essay illustrator in the 80s and 90s. In addition, he has altered a genre entrepot and a modify entrepot for the structure playing and settled genre and falsity pieces in magazines much as Thunder Sandwich and The Islander. He has been an award-winning marketing illustrator for international companies much as GE and IBM for the instance note years.

Trina comedienne is a worker illustrator and application who has feature and enjoyed much of Calhoun s work. Read the entire garbled interview on fuentebetsaida.com .

The real interview reads:
“This is just brilliant. The whole interview is incredible! I’m REALLY appreciative of some seriously good advice from a fellow writer.” Mark Howell, Senior Writer, Solares Hill

Harry Calhoun’s picture could appear beside the dictionary definition for “journeyman.” Living proof that not all writers have to be famous or stick to one type of writing to be successful, Calhoun has found frequent editorial favor as a poet since 1980 and was a widely published freelance article and literary essay writer in the 80s and 90s. In addition, he has edited a poetry magazine and a trade magazine for the housing industry and placed fiction pieces and poetry in magazines such as Thunder Sandwich and The Islander. He has been an award-winning marketing writer for multinational companies such as GE and IBM for the past twenty years. Here he is interviewed by Trina Allen in his home in North Carolina.

Trina Allen is a freelance writer and educator who has read much of Calhoun’s work.

My bio is just as funny:
I am a worker illustrator and application who gave up a occupation as a flourishing region edifice pedagogue to indite flooded time. I started the Storm of Thought Writing Center for composition and redaction hold and advice. I am currently employed on a children s new and individual brief stories. My publications allow Dana Literary Society, and Thunder Sandwich. My articles most teaching, curricular materials and presentations hit appeared in educational magazines much as Science Scope.

The bio should read:
I am a freelance writer and editor who gave up a career as a successful middle school teacher to write full time. I started the Storm of Thought Writing Center for writing and editing help and advice. I am currently working on a children’s novel and several short stories. My publications include Dana Literary Society, and Thunder Sandwich. My articles about teaching, curricular materials and presentations have appeared in educational magazines such as Science Scope.

I am grateful that Harry was willing to struggle through my first attempt at an interview and that interview helped us to get to know each other. We got married soon after. I also decided that freelancing wasn’t for me. I like the security of a steady income over the starving artist thing. Developing educational tests is a much better day job for me.

Stories aren’t buckshot March 12, 2008

Posted by Trina in All posts, Authors, Creative writing, Fiction, My work, Novels, On writing, Publishing, Rejection letters, Short stories.
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Don’t shoot. The shotgun approach to story submission is not effective. A few days after posting about living with rejection, I ran across JA Konrath’s post about using short stories to promote novels–I am enjoying Konrath’s humorous thriller series featuring Jack Daniel’s, a female detective. I discovered his novels after reading one of his stories in the Thriller anthology edited by James Patterson.

Unlike Konrath, I am not trying to promote a book with my stories, I have yet to finish my YA novel, but I think Konrath’s advice is good for anyone trying to get short fiction published.

WRITE FOR THE INTENDED MARKET.

Would you spend hours making a key without having a lock it can open? No. But many authors write whatever the hell they want to write and then erroneously believe there will be a market begging to publish it. That usually isn’t the case.

Magazines, anthologies, and websites all have specific demographics. They want specific stories to please these demographics. It’s much easier to write for a market than write according to your whim and then try to find a market that will buy it.

When you have found a market, read it. Don’t guess what you think the editors will like. Discover what the editors like by reading stories they’ve already published.

Also, it makes good sense to write stories about the characters who are in your novels. The closer the tie in, the more likely you are to sell a book if someone likes the story.

Got it? Good. And if it stifles your muse, remind yourself that writing is a job.

This is the best advice I’ve read lately. I had been writing stories about whatever I wanted and then hoping to find markets for them. This sometimes works, but it is a struggle to find just the right match. Hence, the 136 rejection letters.

Konrath also listed the pros and cons of various markets including: magazines, anthologies, limited editions, and new markets. I found this very helpful. I had not before considered, for example, that the majority of readers I may reach with magazines will only read my work during the month the magazine is fresh, whereas anthologies may stay in print for years and the Internet is eternal.

I’ll be taking a break from writing and submitting to visit my Mom in Missouri this weekend. I can’t wait.

White Fang and the literary Jack London December 5, 2007

Posted by Trina in All posts, Authors, Creative writing, Fiction, Novels, On writing, Writing for young people.
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Owning a dog changes your perspective, even about literature. I first read White Fang and The Call of the Wild twenty years ago when I was twenty-five. The perfect age, BTW, to become acquainted with Jack London’s writing. I was captivated. Jack London took me to “The North” the way no one could. He had lived in Yukon country, and depicts his scenes with the objectivity of a scientist, maybe part of the reason that I love his writing.

After having Alex for a couple of months, I wanted to read both novels again. I drug out The Call of the Wild, but couldn’t find my copy of White Fang. So, when Harry asked me what he could get me for my birthday, I asked him to buy me a copy of White Fang, and read both novels again.

I was once again spellbound, not only by the enormity of the love and worship that both Buck and White Fang display for their masters, but by the way Jack London uses the dogs to represent the facets of human nature.

The Call of the Wild is an easier read, and far more popular, but White Fang is the literary superior of the two. The Call of the Wild tells the story of Buck, a dog taken from his civilized Southland and placed in the primitive North. Of all the dogs that are taken to the Great North, only Buck is able to make the transition in true “survival of the fittest” style.

White Fang is the antithesis, the story of a wolf who must overcome his heredity and upbringing through domestication and the love of his master. The only cub of the five in the litter to survive, White Fang is the coming of age story of a wolf living in a harsh environment. He must kill or be killed, learn the law, or die. Herein lies the problem with categorizing White Fang as young-adult literature. It would seem that a coming of age story should be read by children, and indeed, White Fang is required reading for most middle school students. However, the writing is more appropriate for adults.

In his day, London was considered a popular, not a literary, author. More recently, his novels have most often been classified as young-adult literature.

As a result, literary publications and scholars have had little interest in London and his work. In addition, London’s works featuring animals as main characters have received even less attention than others. The Call of the Wild has garnered some interest for the sheer power of its hold on the reading public and because it is the premier novel of its kind. White Fang, as a later and lesser novel, has largely been ignored.

Critic Maxwell Geismar does mention White Fang in his Rebels and Ancestors: The American Novel, 1890—1915 but judges it inferior to The Call of the Wild because of what he views as a sentimental ending:
It was only when White…..
Read entire essay.

White Fang is NOT a lesser novel. Further, I would argue that it is not a book for children or young adults. The quality of writing makes it a literary classic for adults. The writing is too narrative and especially too violent for children. Kill or be killed is realistically portrayed. Not for nothing is White Fang called “the fighting wolf.” And what of the depiction of the American Indian from 100 years ago as inferior to white people? This may not be understood by children without guidance by teachers or parents.

” It was at Fort Yukon that White Fang saw his first white men. As compared with the Indians he had known, they were to him another race of beings, a race of superior gods. They impressed him as possessing superior power, and it is on power that god-head rests. …”

Jack London breaks away from the story to delve into naturalist opinions of life, narrative that would be appreciated more by an adult than a younger reader. An example is the opening paragraph of White Fang:

“Dark spruce forest frowned on either side the frozen waterway. The trees had been stripped by a recent wind of their white covering of frost and they seemed to lean toward each other, black and ominous, in the fading light. A vast silence reigned over the land. The land itself was a desolation, lifeless, without movement, so lone and cold that the spirit of it was not even sadness. There was a hint in it of laughter, but of a laughter more terrible than any sadness — a laughter that was mirthless as the smile of the Sphinx, a laughter cold as the frost and partaking of the grimness of infallibility. It was the masterful and incommunicable wisdom of eternity laughing at the futility of life and the effort of life. It was the Wild, the savage, frozen-hearted Northland Wild.”

Ignorance may be bliss, but it won’t get you published September 26, 2007

Posted by Trina in All posts, Authors, Creative writing, Fiction, My work, Novels, On writing, Publishing.
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I had planned to write my next post on the autumnal equinox and the change of seasons, or a heartfelt piece on rescuing a dog with a few hidden warts. (In our ignorance, Harry and I made so many mistakes, but that’s a topic for a later blog).

Instead, I find myself writing about the naivety of novice writers, which was toward the bottom of my list of blog post topics, and probably unpopular. But, today I read on two of my favorite author’s blogs about a trap many uninformed writers may fall into: self-publishing. Many writers are so excited about seeing their work in print that they pay to have their books printed. They get sucked straight down the easy path to frustration because being printed is not the same as being published. And self-publishing does nothing to market their books. Those who try it may find their books in NO book store near them. Visit Tess Gerritsen’s excellent blog to learn more about why self-publishing is probably not the right choice for a fiction writer.

Gerritsen states:

Here’s my advice. If your novel doesn’t sell the traditional way, maybe there’s a good reason, a reason you just can’t see because you’re too close to the project. You need to let it go and move on to another story. Write another book. And another one. If you’re really a writer, you’ll do that anyway, because you can’t help yourself from telling stories. Don’t get sucked into thinking there’s a short cut to publication. There really isn’t. Sometimes it takes years, sometimes decades. Sometimes it never happens at all.

I was a freelance editor for about a year. I spent much of my time educating new writers on the publication process. I wrote an article outlining the steps toward publication and posted it on my Web site just so that I could refer potential clients to it. I still get occasional notes from writers wanting help in publishing their novels/stories/books, but totally uninformed about how to begin the process. There is no substitute for reading and researching the writing and publishing process if you want to be an author. There is a plethora of information out there, no excuse not to read it, unless you want to fall prey to dishonest folks who might use your naivety to empty your pockets.

I think the two major misconceptions of many writers is that their first draft work will sell and that publication is easy. Both are false, but that fact seems to surprise many writers, as is evidenced by the reaction that I get almost every time that I tell someone that I write fiction. They respond with “I have an idea for a book. I could write about ___ if I only had time.” About 99.9% of the time, it ain’t gonna happen. In the process of publishing their first book, writers must have not only talent, but drive and determination. They must eat rejection on a daily basis and learn from it. All while holding down a full time day job.

Most writers are naïve about the publication process. This is underscored by the high school student who wrote to me asking me to mentor her school project, which is to write — and publish — an entire novel in one semester while taking a regular class load. I replied that her goal was lofty. That perhaps she should write only an outline or proposal and an introductory chapter or two.

Her comment was:

I understand why you think that a semester is a short amount of time to write a novel, but really, it’s not so bad. I’m planning to try and write more of a novella, with a goal of around 30,000 to 50,000 words. I know I can do that, as mentioned before I’ve done 50,000 in a month. I’m also doing all the planning this semester, making out an outline and researching what needs to be researched.

Perhaps she will write a draft of a novel in that short time, but what about taking that first draft through several edits and polishing it? What about the endless hours she will need to spend putting a marketing package together and contacting agents? She is simply ignorant of the publication process. I am going to mentor her, because her letters to me were well written and because she listened to me. She is reading ON WRITING by Stephen King. I hope her book sells like wildfire.

Meanwhile, I’m embarrassed to admit that I haven’t written a creative word, other than work related test development, since my last blog post on September 11. King Alex has gotten in the way of my writing, while worming his way closer to my heart.

Simple Genius June 4, 2007

Posted by Trina in All posts, Authors, My work, Novels, Writing for young people.
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I’ve made myself a new writing schedule where I write on M, W and F morning for two hours before work. I’ve only done it last week and this morning, but it has made a difference in my attitude. Writing throughout the week has allowed me to make excellent progress on The MAGIC QUILT because I never mentally get out of the book. Each time I write I am immersed in Katharine’s life and I think about her even when I’m not writing. I write down notes to myself several times a day — sometimes when I’m driving to and from work. I apologize to the other drivers out there. I’m that car going 55 in the slow lane that everyone is passing while I’m writing on a scrap of paper. I’m going to work on rewriting the final chapter this morning, which is an awesome feeling.

It was a rainy day yesterday – much needed after the drought we’d been experiencing. After writing in the morning, I used the rainy afternoon to finish reading SIMPLE GENIUS by David Baladacci. This was my favorite of the series with dynamic duo Sean King and Michelle Maxwell. The former Secret Service agents turned private investigators have their hands full in a twisting plot involving mathematics, codes, the CIA and murders made to look like suicides.

But it wasn’t the espionage that drew me in so completely — It was Michelle. The book begins when she picks a fight in a bar with the biggest man she could find and lets herself be beaten, despite her superior fighting skills. “Before she blacked out completely Michelle’s final thought was simple: Goodbye, Sean.” I wanted to read on simply to find out why.

While Michelle is recovering from her injuries in the hospital, Sean King gives the man she fought $45,000 of his own money to prevent him from pressing charges against Michelle for his medical injuries. Now Sean must find a case to keep their business afloat. He finds one — a murder in Babbage Town, the think tankmodeled after World War II’s Bletchley Park. Baldacci’s twenty-first-century version of Bletchley brings together a community of scientists working on a new kind of computer. Sean soon learns enough to put his life and that of a girl who shows extraordinary genius in jeopardy. He is working alone, while his partner is receiving psychiatric treatment — until Michelle stops a shooting in the psychiatric center where she is being treated, checks herself out and joins her partner in Babbage Town.

I love the way Baldacci captures Michelle’s voice. This books works especially well because of the interplay between Sean and Michelle. Well written and captivating.